Suiting Up

I've talked before about painting fabric and today was another fun fabric day. It was fun to play with the lights and darks, hard lines and soft lines, and moving the fabric here and there and eventually right where I wanted it. I also got a start on the epaulets. I'll have to go back when the paint is dry to finish off the buttons and badges, but they got a good beginning. 

The Dark Side

Okay, I have to get my Star Wars reference in somewhere. But seriously, there has to be a dark side in order for there to be a light side. And it takes both a dark side and a light side to create form. Otherwise we're back to one dimensional flat surfaces. We all have a yin and a yang. The dark side is not necessarily a bad thing. It's simply the opposite of the light. And it's important because it helps define who we are. So let the shadows fall so the forms can be seen.

Paint By Number

I had a friend ask what my process looks like. I was thinking that I was sharing that since I post at each stopping point along the way. But today I realized that I've only been sharing the stopping points, and not the points in between. So here is what I call the paint-by-number stage. I spent years watching Bob Ross paint happy little trees that just magically appeared on the canvas. When I started painting I thought it would be like that. While I still have fond memories of watching those happy little trees, there is a big disservice to the art business in those shows. It just doesn't happen like that. I could spend an entire post explain all the reasons why, but I'll move on. Every artist has their own approach. For me, I find the lights and the darks and lay them in all around the figure. Sometimes it's only in a single area, like the lips. Other times it's a bigger area like here, the entire face. And then I blend it to a soft stage like this... 

And then I do it again and again. I call this layering. Each time I repeat the process I see lights I didn't see before. I see darks that are darker. I see shapes that are not quite right. So I paint by number again and soften again until suddenly, there she is. So tune in again tomorrow and we'll see if we got there!

Warm Embrace

This is a charcoal drawing I did as a concept sketch for my next painting. Still working with the idea of Comfort, this piece will be about embracing. Often an embrace is pictured with two people in a hug. But I wanted to capture the idea with just a single figure. When I think of being embraced, enwrapped, cuddled, and snuggled in comfort, I think of a warm, soft blanket. I want her to have a look of appreciation and familiarity more than a relief from fear or struggle. I'm having fun with the charcoals. I'm not spending the time on them that I do with the paints, but just playing with them again is fun!

Warmth

This is the first painting in a series I am going to do on the concept of Comfort. To me, comfort is warm. When I think of warm comfort I think of standing outside with my face to the sun. Today it's raining outside. I can hear the drops pelting the skylight in my studio and it reminds me of some of the old farm buildings when I was child. The sound makes me feel cold even though the temperature inside is very comfortable. And yet, I can look at her and see her embracing the light and warmth of the sun and suddenly I feel warm again. Many people have a "happy place" in their mind that they can go to when life gets stressful, and it can help them calm down. While this isn't really a place, it is an image that can bring a sense of warmth and comfort when life gets hard. 

Squaring Her Shoulder

We square our shoulders when we are determined. Squaring one's shoulders shows a lack of fear. Perhaps she isn't squaring her shoulders for either of these reasons. Perhaps she squaring her shoulders simply to open them up to the light that is before her. Soaking in the warmth of comfort fully, she accepts the light without reservation, with faith, with hope, with acceptance and love. When someone offers us comfort, are we able to accept it this openly? Or do we resist just enough to keep ourselves emotionally safe? Do we secretly fear the very offer of comfort we so desperately seek?

Profile

A profile is a view of something from only one side. Today my subject got a profile. She has her face to the light and is soaking up the warmth of the sun. But there's more to her than just this one side. And yet, that's all we'll get to see.

How often do we see only one side of a person? How often do we create a profile in our minds of what a person is? I'm working on getting to know people more fully and accepting them as a whole person rather than just certain aspects of them. This isn't always possible. So I try to remember that everyone is a whole person whether I can see all of them or not. I guess this has become important to me because I want others to see me in the same way. 

Warmth... Charcoal Drawing

I'm still pondering the concept of comfort. What is it that provides comfort? How does comfort feel? For me, comfort is warm. After a long winter I long for a sunny day when I can stand with my face to the sun and feel the warmth on my face. On a stressful day I can face the sun and feel the calm seep into me with each ray of sunshine. The comforting embrace of my grandmother felt as warm and penetrating as the heat of the sun. Let the sunshine in!

Heavenly Chair

Heavenly Chair was a request from my dear husband. It is his anniversary gift. He loves his banjo and on this particular trip to see his mother he took it and played for her, and for the deer who gather on her lawn. He set the banjo down and realized how lovely it looked it in the morning light. I love that he has an eye for beauty, composition, and design. Happy Anniversary Love!

Sit a Spell...

... Take your shoes off... Y'all come back now, here?

I love the porch on a house. I wish we could all slow down enough to take our evenings off, go out on the porch, sit a spell, take our shoes off, talk to our neighbors and children, and all come back again tomorrow night. While we are making so many advances in our society, I am sorry to see so many advantages being lost. 

Beach Cherub

Well, here she is at last... my hot babe on the beach... my bathing beauty... my cute little beach cherub. I do love children. To me they represent innocence, hope, potential, purity, meekness, and joy. I love to hold a child's hand, play with a child's feet, and answer every single "why" they can come up with. Painting them, apparently, is no different. I have thoroughly enjoyed every child I've painted. I may have to stick to this genre... 

Lights and Darks

When starting a face I first try to find the areas of highlight (lights) and shadow (darks) that define the plane changes on the face. It's tempting to go into great detail on one facial feature, like an eye, but it's better in the end to make sure all the general areas are correct first. I've made the mistake before of perfecting an eye and then realizing I painted it too high or too low or too far to the right or left and having to repaint it. Lesson learned... 

Preparing the Kayaks - finished

As I sat at Netarts Bay sketching and journaling I couldn't help but hear the group of kayakers near me. They obviously hadn't checked the tide charts and had arrived to find a low tide. They spent a good 30 minutes trying to decide if it was worth it, or if they should just go home. It sounded like one was a guide or instructor and the others were of vacation. I so wanted to tell them to just go for it! It may not be the perfect conditions, but they were there, they had their gear, and they may not get the opportunity again. I was so relieved when they finally made the choice to make the best of what they had. By the time they were ready to get in their kayaks I had to go. But I did get a few sketches and photos and now a painting of them preparing the kayaks.

How often do we spend our time trying to decide if the conditions are just right? How right do the conditions need to be? When is it worth it to just take a risk and jump in the water? I think we miss too many opportunities to make great memories when we spend too much time weighing options and not enough time getting wet.

Ocean Lily

I was walking to the beach in Manzanita, OR when I came upon a row of lilies. They are blooming everywhere here on the coast this time of year. But the ocean just made the perfect background and I had to stop in my tracks and take some reference photos. Once the background dried, the lily actually came together in about an hour. Fun, fun fun!

Rhododendron

Well, my little Rhodie didn't get finished in a day... but I think she's coming along nicely just the same. This has been a great exercises in both hard and soft lines, as well as lights and shadows. I can see that I need to follow my own rule and stop being afraid of the dark! I think as I deepen the shadow areas it will really bring a greater sense of depth to the flower.